Return to Société Rencesvals
Return to Back Issues
La Société Rencesvals American-Canadian Branch
Olifant
Vol. 21 nos. 3-4
Spring-Summer 1997
ARTICLES
11
La Chanson de roland, ou l'hymne de la fournaise H.M. Adrien, Tulane University
41
The Gendered World of the Chanson de Guillaume Patricia Black, California State University-Chico
65
A Contribution to the Study of Laisses Similaires in the Chanson de Roland: Repetition and Narrative Progression in Laisses 133-135 Jean-Paul Carton, Georgia Southern University
85
Decisions, Consequences, and Characterization in the Poema de mio cid. Gene W. Dubois University of North Dakota
109
The Mocedades de Rodrigo: A Hero with a Bad Character? John Gornall Tattenhall, nr Chester, U. K.
127
The
Cantar
de mio
Cid:
Orality and Ring-Composition
Douglas Young
Stanford University
BOOK REVIEWS
143
Glyn S. Burgess, ed. Le pèlerinage de Charlemagne. British Rencesvals Publications, 2. Edinburgh: Société Rencesvals British Branch, 1998. Keith Busby, University of Wisconsin-Madison
145
Alan Deyermond. La literatura perdida de la Edad Media castellana; cat'alogo y estudio. I, Épica y romances. Obras de referencia, 7. Salamanca: Ediciones Universidad de Salamanca, 1995. Irene Zaderenko, Boston University
150
Michael Harney. Kinship and Polity in the "Poema de Mio Cid". West Lafayette: Purdue University Press, 1993. Mario André Chandler, University of Alabama-Birmingham
155
Irene Zaderenko. Problemas de autoría, de estructura y de fuentes en el "Poema de mio Cid". Alcalá de Henares: Universidad de Alcalá de Henares, 1998. Matthew Bailey, University of Texas-Austin
158
François Suard. Chanson de geste et tradition épique en France au Moyen Âge. Collection Varia #14. Caen: Paradigme, 1994. William W. Kibler, University of Texas-Austin
